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	<title>Izznit</title>
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		<title>Composing and Notation Software</title>
		<link>http://www.izznit.com/composing-and-notation-software</link>
		<comments>http://www.izznit.com/composing-and-notation-software#comments</comments>
		<pubDate>Sat, 25 Jun 2011 22:34:37 +0000</pubDate>
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		<guid isPermaLink="false">http://www.izznit.com/?p=8</guid>
		<description><![CDATA[<p>When Wolfgang Amadeus Mozart sat down to compose, he had to draw off lines on a blank page and draw in his own music notes.  Every change he made to a composition required erasing and redrawing notes as necessary, and if one bar was wrong at the beginning of the piece, he had to chuck [...]]]></description>
			<content:encoded><![CDATA[<p>When<a href="http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart"> Wolfgang Amadeus Mozart</a> sat down to compose, he had to draw off lines on a blank page and draw  in his own music notes.  Every change he made to a composition required  erasing and redrawing notes as necessary, and if one bar was wrong at  the beginning of the piece, he had to chuck the whole thing and start  over. Often, movies depict those composers as very angry men rolling up  paper and tossing it away.  Now you know why they were so upset. Writing  music by way of a computer program is a vast improvement to the manual  compositions of old.  The same way that the computer replaced the  typewriter, it is replacing the old hand drawn notes on scale paper.   You know how easy it is to change the writing on a page with computer  data processing; the same is true with composition software. If you know  anything about music, you understand that there are different timings  for songs.  The timing sets the tempo and flow of the music.  A person  writing music may decide to change the timing at some point in the  process of writing.  This means more or less notes in a frame of music.  Again, in the old days, the composer would tear up his or her work and  start over.  On the computer, it’s a simple matter of keystrokes and  rearranging the work that is already there.  The notes themselves are  like typing a letter.  You simply choose what length note you want and  where to put it on the staff. Depending on the software you purchase,  you can stop at any time you choose in the composition and listen to  what you’ve written, often choosing from several different instruments.   Imagine writing a line of music and hearing it instantly. When the  music is written, the words are added in proper context to produce a  piece of sheet music suitable for any musician or singer to read, sing,  and play.  A  composer can perform the work to see if it is suitable or have someone  else try it and give his or her opinion.  If something is not quite  right, it is a simple matter to change it. Many of the great composers  of today use this form to write because it saves time on the mundane  parts of composition.  Just think of the many additional volumes of work  <a href="http://www.mozartproject.org/">Mozart</a> could have composed if he had this capability in his time.</p>
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		<title>Ipod and MP3 technology</title>
		<link>http://www.izznit.com/ipod-and-mp3-technology</link>
		<comments>http://www.izznit.com/ipod-and-mp3-technology#comments</comments>
		<pubDate>Sat, 25 Jun 2011 22:33:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.izznit.com/?p=6</guid>
		<description><![CDATA[<p>The Recording Industry Association of America (RIAA) has been decrying the use of MP3 technology since its inception.  It is so easy for recorded music to be pirated that many people do it without even thinking it’s wrong.  The fact that it is wrong has been brought home to some individuals in expensive ways. Last [...]]]></description>
			<content:encoded><![CDATA[<p>The Recording Industry Association of America (RIAA) has been decrying  the use of MP3 technology since its inception.  It is so easy for  recorded music to be pirated that many people do it without even  thinking it’s wrong.  The fact that it is wrong has been brought home to  some individuals in expensive ways. Last year a jury found<a href="http://en.wikipedia.org/wiki/RIAA_v._Tenenbaum"> Joel Tenenbaum</a> guilty of sharing 30 songs with his friends.  This willful copyright  infringement brought with it a fine in the order of $675,000.  Recently,  Judge Nancy  Gertner reduced the award to 10% of what the jury gave to  the record companies.  She cited in the decision that such an extremely  high award was unconstitutional. While arguments from both sides may be  heated on the subject, it only illustrates what a problem file sharing  through MP3s has become.  Whereas $22,500 might be an extreme expense  for sharing a song, there should be a way to limit what can be freely  used by so many.  If there is a need for anything in the technology  field, it is a way to control piracy without making it impossible to  download music. The manufacture and use of MP3 players continues to  grow, and there aren’t many homes that don’t have at least one.  When  thieves steal something they can easily sell for quick bucks, they often  choose iPods because they are easy to grab and easy to find a market  for. What concerns the RIAA is that MP3 is an unpatented and freely  available technology.  Without any controls, it is difficult even to get  a handle on how much piracy is taking place.  Because audio can be  compressed to 1/12 of its size, as it exists in WAV format without  perceivable loss in sound quality, it is a very acceptable media for  everyone. An average song is compressed to approximately 3.75 Mb of data  making it extremely easy and quick to download, and it requires such  little space to store the data that thousands of songs can be placed in a  relatively small storage place.  The files are carried to a small iPod,  providing hours and hours of entertainment for a minuscule amount of  investment. Conversion of a standard CD to MP3 is done with little sound  loss.  The resultant file can be copied repeatedly without appreciable  quality loss.  Therefore, even if someone legally buys the music, it is  often one sale to the benefit of many who never have to purchase  anything, other than the hardware and storage to make copies. The  technology is here; how to bridle it for the benefit of those who pay  the money to have the music produced is the important issue.</p>
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		<title>Music CD versus MP3</title>
		<link>http://www.izznit.com/music-cd-versus-mp3</link>
		<comments>http://www.izznit.com/music-cd-versus-mp3#comments</comments>
		<pubDate>Sat, 25 Jun 2011 22:32:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.izznit.com/?p=4</guid>
		<description><![CDATA[<p>For those who have seen the end of vinyl records, eight-track tape players, and the serious health issues of the cassette tape, it may seem that the CD player’s days are numbered too.  Before you start writing an obituary for this medium, you should look at some differences between CDs and the main competitor, MP3s. [...]]]></description>
			<content:encoded><![CDATA[<p>For those who have seen the end of <a href="http://www.htfr.com/">vinyl records</a>,  eight-track tape players, and the serious health issues of the cassette  tape, it may seem that the CD player’s days are numbered too.  Before  you start writing an obituary for this medium, you should look at some  differences between CDs and the main competitor, MP3s. The three little digits, MP3, take the place of the longer identity, Moving  Pictures Expert Group 1 Audio Layer 3.  A CD WAV file can be compressed  to 10% of its size for use in MP3 technology.  The significance, of  course, is the space that it takes to store the music.  One small MP3  player can carry thousands of songs, compared to the bulky situation  that is present with CDs and players. With the many places available to  download music from the internet, there is no reason to go to the music  store to buy CDs.  It doesn’t require a great deal of experience or know  how to put files in storage for playing back on the inexpensive player.  Not only are MP3 players inexpensive, they have no moving parts, which  generally equates to longer life.  They have much broader play list capabilities than CD players.  When purchasing music  for download, it’s not necessary to buy an entire CD (or album, if you  remember what that was); you only get the songs you want. With  everything going for it, is there any possibility that MP3 technology  will not be <a href="http://www.guardian.co.uk/business/2008/dec/07/cd-woolworths-pinnacle-music-industry-retail">the demise of the CD</a>?   As with anything that appears so superior, there is typically a thorn  somewhere.  Due to the compression that WAV files go through for the  MP3, the sound quality is compromised.  This is not as discerning to  some listeners as others, but it is a fact. CD players are not as  expensive MP3 players, and they do not require the purchase of storage  media.  The sound volume of downloaded MP3s varies from one to another,  and CDs don’t have that problem.  When you want music from a CD, just  drop it in and play. You don’t have to encode, transfer files from one  place to another, or manage the files.  When you want, <a title="CD duplication" href="http://www.mediaheaven.co.uk/cd-duplication.htm">CD duplication</a> is  an easy task. Searching for a certain song on an MP3 player can take  longer than it does to slide one CD out and another one in.  If you are  on a camping trip or anywhere away from the internet, you can’t download  MP3s. CDs last a lifetime if you care for them, but hard drives and  flash memory players have more limited life spans.  There are some file  compatibility problems with formats in downloaded content; the CD plays one format only, so there are no  problems.  The MP3 player is a great invention, but the CD should remain  because of the dependability it has shown for almost 30 years.</p>
<p><a title="DVD duplication" href="http://www.mediaheaven.co.uk/dvd-duplication.htm">DVD duplication</a></p>
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